Skullphone is an American street artist, who gained notoriety due to the “Skullphone” image (a black and white skull on a cell phone) that he started posting around Los Angeles in 1999. He received additional recognition for his serial image of a skeletal version of the Mobil station pegasus, which he attached to condemned gas stations. The intent of his early work was to blend in to existing outdoor advertising, signage, and architecture.
In 2010, he debuted a series called Digital Media, an exhibit intended for indoor viewing, a departure from his outdoor work, at a space called Subliminal Projects. The exhibit explored advertising, government, and private enterprise signage, and the spaces on which outdoor media is displayed – making permanent on panels what is reprogrammable and removable in outdoor space. The paintings were done on polished black-painted aluminum panels, used a grid system of red, blue, and green paint (to mimic LED displays) – and were pointillistic, dislocating when approached. They examined the contradictions inherent in outdoor digital signage. (References: Obey, SH, Skullphone, Wikipedia)
Images: Theres 30 Digital Billboards in Los Angeles (top) and Half Mass (bottom) from Digital Media ’10.